Photo Portfolios on Flickr
0This post is part of a series that are components of my “Expert Plan” at my school, looking to create a shared resource for my colleagues as the school moves towards greater adoption of laptops and technology in our pedagogy.
The Model
I have long used Flickr for my own personal photo sharing needs — it’s pretty much a de facto standard in circles in which I travel: a clean interface, strong support for connections between Flickr and other Web 2.0 services, and very real support for innovation in terms of user-designed and coded add-ons. All this adds up to Flickr being a very flexible, very powerful photo sharing service.
My idea was that my students could get to know one of the standard photo sharing services as part of the new media design experience. Using Flickr would expose them to some of the new media concepts inherent in working with Web 2.0: hosting information online and then reusing that information in other forums (for example, embedding their Flickr-hosted pictures in blog entries on our blog server). As Flickr also supports sharing within groups, comment boards and tagging, my hope was to have the students engage with each other’s photos online via Flickr.
In Practice
Signing up for Flickr was a real challenge for my students. Partly this was because they needed more support from me in understanding how to sign up for access to a web site. Partly this was because Flickr is owned by Yahoo, so they needed to (confusingly) sign up for a Yahoo ID and then link that Yahoo ID to a new Flickr account. (I had signed up for Flickr so far back in the day that I hadn’t had to jump through those hoops — and had already had a Yahoo ID to link to my Flickr account when they merged). The sign up process provided an opportunity to discuss digital footprints and privacy online, to help my students think about both protecting their privacy (concurrent with the school’s legal obligations under FERPA) and about how they present themselves to future employers and the like.
My students also wanted a significantly more structured guide to how to upload photos and share them to our class group on Flickr. Note that I say “want” — they were not eager to explore and figure out features on their own (or to read the help documentation from Flickr itself). I gave them a (privately throw-away) assignment to post their first few pictures that only one student completed, who already had a Flickr account before the class.
When it came to linking our class blog to their Flickr accounts, my students also ran into difficulties. The process, while well-documented on Flickr, is somewhat technical and they did not have a clear enough idea of the purpose or desired outcome to really dig in and engage with the process. Plus, they had a lot of typos trying to enter the blog XML-RPC address by hand. It was not a confidence-inspiring performance. Similarly, when it came to posting to the class blog from Flickr, very few of the students really grasped that this was a one-click process — almost all opted for much harder (and, frankly, lower quality and more annoying, approaches to embedding their photos in the blog initially).
By and large, once photos were uploaded, students were successful in sharing those photos to the group photo pool. They were also good about going in and providing comments to each other, when assigned to do so. Interestingly, they could spend an entire class totally obsessed with flipping through each other’s photos online, but actually adding comments was not a voluntary instinct.
After the first few photo uploads, we ran into Flickr’s free account limitations (which, again, I had forgotten about because I don’t run up against them): only 20MB of uploads a month, only 200 photos per account maximum. Complicating this was that the Flickr interface (uniformly reliable in other environments), routinely hung when attempting to upload files from the media lab (probably having to do with the school firewall). Students would spend 20 minutes trying to upload three photos and find that the process had, in the end, failed. To get around this, by the end of the first quarter, I was uploading the lion’s share of the classes photos to my own Flickr account.
In addition, once uploaded, the photos in free accounts are not available at full resolution. My hope had been to use Flickr as a repository for the class’ photos. Instead, it was at best a secondary viewing area: the students didn’t have access to the full resolution images for editing purposes via Flickr. Worse, several of the students didn’t grok that they could download photos from Flickr at all and opted to take screenshots of the photos at very low resolution on the web. And then edit those screenshots. Rather than working with their original files. And I discovered this not because they asked me how to do this, but because I saw them at work editing the screenshots. Enterprising. Stupid, but enterprising.
Flickr did provide a great basis for discussion of photography, composition and style. Flickr’s gallery function allowed me to collect sample photos “live” from the web to present concepts and be the focus of class discussions. This could be a useful tool for having students do a photo scavenger hunt, for example.
Reflection
I was distinctly underwhelmed by the experience of trying to use Flickr in the classroom. I think that there were really three things that were a marked failure in this:
- I really failed to anticipate all of the limitations of a free account on Flickr (and the complexity of needing a Yahoo ID to play the game at all). This was totally my bad: I knew all of these limitations, but either didn’t think that they would be an issue (“oh, we won’t take that many photos…”) or just didn’t process their ramifications (“20MB a month should be enough!”). I had actually looked around at other photo sharing sites, including Google’s Picasa, SmugMug and using our FirstClass class conference and decided that Flickr provided the best interface and flexibility for what we were doing in class.
In retrospect, I think I would have separated the photo sharing from the photo archiving plan and explicitly started my students off using the Classes share as a repository for all their images, and then having them post images directly to the class blog for discussion and portfolio purposes. - I mistook “digital natives” for web experience. Which is pie on my face, since I’ve long made the argument that these are not one and the same, and that our students really benefit from our teaching in terms of critical analysis, literacy and just plain common sense online. The students just didn’t get how to sign up for an account on a web site online by themselves, and they weren’t really interested in learning. I should have structured that process differently, and, well, in a more structured manner.
I think that I came in with misplaced expectations about both the background and attitudes of the students. I anticipated a more web-savvy crowd and they were not. In retrospect, I was rushing through much of my material at that point, trying to “stay on top” of the course outline as I understood it. Everyone would have been better served if I had taken a day or two out of my outline earlier in the semester to sit down and talk through:- Sharing files online. Literally: where are those files and how do you put them there.
- Accounts on web sites, how to get them and how to use them
- How different web sites can be made to work together.
- The school firewall and web filter did me no favors. As I learned over the course of the first quarter, any time that I decided to rely on sites not directly hosted by the school, I was in for a world of pain at some point along the way. Usually, this pain took the form of problems signing up to use the site (as happened with Flickr) or uploading content to the sight (as happened with Flickr). On the one hand, this is a strong reminder that the school does host a number of useful tools and that I should turn to those tools first, where appropriate. On the other hand, this was just infuriating — I was having experiences with web sites that I have not had ever before — and that I didn’t have when I left our campus network. They claim that the the home crowd is the 12th player on the field at football games. The school network was definitely the 12th player on the field in my classes this fall.
Using external sites does raise very real and very consequential privacy concerns — and concerns that need to be presented clearly to faculty at the outset in the form of simple guidelines. The rule of thumb that students’ last names never appear online is great, and workable. But cutting us off from free and useful technology is really just exasperating.
In the end, I came away from this experiment feeling pretty dejected.
iTeach: Reenforcing Hands-On Learning with Video
0One of my responsibilities at Jewish Day School is to write a weekly “tech tips” column for the online faculty news. This is one such tip.
One major challenge that students (of any age) face when learning how to use a new tool is that, when demonstrated, the application seems simple and easy. But now, on one’s own, finding that button or toggle that made everything easy in class is deucedly difficult. There are a number of ways to combat this, ranging from having the teacher physically present every moment that students are completing their first (and maybe second and third) projects to shrugging our collective shoulders and averring that, in fact, the puzzling-it-all-out process builds character and reenforces learning. Pain doesn’t reenforce learning; pain reenforces aversion to learning. Instead, how about providing instructions? Perhaps even instructions in the manner in which they were presented in the classroom, creating a familiar context and voice? A number of teachers have been exploring the possibilities of screencasting — recording what’s happening on your computer — in teaching with technology this year. It’s easy: it only takes a few minutes to record a screencast and post it to the internet, where you have a link to share with students at the end of a lesson.
An example of a quick use of screencasts to reenforce in-class teaching: A quick introduction to iMovie ’09
All these tools have links to screencasts explaining how to use them on their front pages! (How meta is that?)
- Screencast-O-Matic is free and requires no setup
- Screenjelly is free and requires no setup
- Jing isn’t entirely free, but is wicked powerful
Further resources: [A colleague] and Seth Battis talk about their experiences screencasting this year on the Laptop Leader pages.
Why "Just" Fulfilling Requirements Does Not a Complete Education Make
0One of my responsibilities at Jewish Day School is to post a monthly column on the goings-on in our media studies department (and in education technology in general) to our online parent bulletin. This is one such column.
This winter, as our students were in the throes of course selection for 2010-2011, I had a number of conversations with my students about their plans for the coming year. Of course, they are my students and I like them, and I would be delighted to see them continue in media studies (and have the opportunity to continue teaching them). Almost without exception, my students talked about how excited they were in their classes with me (which is very flattering, and taken with a grain of salt), but also about how they were concerned about fulfilling all of their graduation requirements. And when we talked about others who were planning to continue, they asked — uniformly — “why are they taking that class? Just because they like it?”
I teach in the media studies department — a department that is unusual at the secondary level, and doubly unusual at [Jewish Day School] in the richness and depth of its offerings. Of course students take our classes “just because they like them.” The prospect of getting to work on a weekly TV newscast, or of building interactive computer games or producing animated movies is, on the very face of it… pretty cool (or hot, or sick, or whatever it is that students are calling the things they like these days). But they’re also more than that: they are classes that provide authentic learning, allowing students to wrap their minds around incredibly nuanced and complex concepts in design and media and information literacy. That this happens in middle and high school, at a time when students are undergoing drastic social, moral and personal development, provides a rich and fertile environment for lasting learning.
I have taught high school students since 1998, and my classes have never been graduation requirements. The frustrations of convincing the NCAA that Advanced Placement Computer Science AB was actually an “academic” subject are best left untapped; suffice it to say that I have always taught “niche” courses. But what I have seen in my students has been astounding: the students who choose to pursue a course of study for lishma, for the joy of learning, “just because they like it” — these are the students who find success, both in high school and afterwards. I love to see what my students are doing, be they aspiring screenwriters, Ph.D.s in information management, automotive engineers, or crew coaches. In each case, having first discovered a passion and then pursued it in high school, they are now able to do the same again and again in their adult lives: they understand what it means to be lifelong learners.
The stereotype, of course, is that media studies and computer science courses are “filler classes” that are available for the especially gifted — or the especially ambitious — student to add on top of their graduation requirements; these classes are a way to impress prospective colleges. In fact, what I have found is that teaching media studies and computer science is much more about teaching students how to be effective teammates and leaders on complex projects. It is about teaching students to instinctively apply formal problem-solving techniques to difficult personal problems. And it is about teaching students to apply their critical and analytical information literacy to the world around them. In short, these are classes that focus on teaching students to think, and to think hard, about the world around them and how they live in it and communicate with others.
These are the courses that transform a high school experience from college prep to an outstanding, lasting education. At a time in their lives when they are undergoing profound social, moral and personal growth, the students in media studies classes are not taking these classes “just because they like them”, but because they recognize — or are starting to recognize — that the process of identifying, pursuing and achieving a passion is not a goal for other people “just because they like it”, but is, in fact, a key skill for living their lives. The students who take these classes are able to point proudly at them on their college applications, and on their resumes, as a signal accomplishment, and one that they can and will replicate again and again throughout their lives.
Thoughtful Resolution of Intellectual Property Appropriation
2A quick follow-up on my post from earlier in the week on my Flickr image turning up on Chron.com:
Yesterday morning (via some suggestions from Alex Howard on Twitter and friends and family on Facebook), I got connected with Dean Betz, the Director of Content for the Houston Chronicle online. Dean has turned this into a learning opportunity for his staff, and has been candid with me about how events unfolded. Suffice to say that I am really impressed with his response thus far, particularly his decision to handle this as a teachable moment. He’s planning to post an explanation here, in his own words, of what happened and how he’s handled it.
Theft of My Intellectual Property
7I find myself in a bit of an odd situation: the Houston Chronicle has “stolen” one of my photos off of Flickr.
Just to put the facts in order before I dive in: back in the day, when I was teaching at Big Southern Boarding School, a group of my much-beloved students surprised me with a very generous (and thoughtful) gift in the middle of our last study-break LAN party in the computer lab. Which I documented for posterity.
Bear in mind that that isn’t some puny half-height locker. That’s a full-length, floor to eyebrow-height locker. Full to the brim with caffeinated, brominated, carbonated vegetable oil. Delicious sugar water. Wow. I took some photos and posted them to Flickr (right).
Then, this morning, the Houston Chronicle posted an article online about the beverage industry subverting a planned fatty tax on highly-sugared beverages (a tax, which, by the way, I think is probably a good idea). An article which they illustrated with my photo (below right). For all I know, they used it in their print edition too. But I kind of doubt it. I think a print editor would have been less slack about copyright. But maybe I’m prejudiced.
If they had asked me, I probably would have given them permission. But they didn’t. And that image, like all my images, is posted under a Creative Commons Attribution-Noncommercial-Share Alike 2.0 Generic license. Which specifies that it can be reused, but not for commercial use. And the Houston Chronicle, as far as I know, is pretty much decidedly commercial use.
Here are the things that occur to me at this moment:
- How ironic is is that, having spent much of the past ten years working to educate my students on the intricacies of intellectual property and fair use, that one of the rights holders whose property I have been struggling to protect turns around and snags my intellectual property?
- If they were going to credit me (as they did), why didn’t they bother to honor the rest of the license? It’s like they just read the first couple lines, and missed the rest of it.
- I’m a little guy and they’re pretty big. I can get up on my hind legs and complain. But I doubt they’ll pay attention to me. And besides, this particular violation of my rights is relevant to the world (and, really, me) for only the next few hours, until this cycles off their front page. And then it’s just something that happened that’s easy for them (and me) to ignore.
- The challenge to getting recompense here is suspiciously high: there’s no email for the Chronicle on their contact page. So I either have to call or snail mail them. Which means I actually have to do more work to complain to them about how they have violated my rights than they did to violate my rights.
- Mostly, the only reason I can think of to complain is if the Chronicle has been doing this systematically. I don’t really care all that much, but I’d like to be a squeaky enough wheel to keep them from doing this to other people routinely.
With all that in mind, I may give the Chronicle a call tomorrow morning. I just wish that it felt less like a Quixotic pursuit.
A Beginner's Guide to Video Editing in iMovie '09
0In preparation for a class that I’ll be visiting on Monday morning, and because I have found myself explaining these things a bunch of times this year, I have put together a quick series of screencasts that give an introduction to basic video editing in iMovie. I do this not because I think that my students can learn to work in iMovie by following me stuttering and mumbling through a screencast, but because having a visual guide to refer back to after class is helpful.
A quick link to this (and anything else I may have to say about iMovie ’09) is: http://battis.net/link/imovie09
You may also be interested in more specific tutorials, and Apple has a bunch posted online. (And you can search for more on YouTube).
The basic sequence of these videos is (and here I’ll link directly to the original Screencast-O-Matic videos, which are slightly higher quality than the YouTube playlist above):
- 5 Minute Introduction to iMovie ’09 – This is a lightning fast orientation to very basic video editing in iMovie ’09.
- Using Still Images in iMovie ’09 – Importing and editing still images instead of video clips in iMovie ’09.
- Adding a Video Transition in iMovie ’09 – How to add transitions between video clips to make our project look more professional.
- Adding Titles to a Video in iMovie ’09 – How to add explanatory text (a.k.a. titles) to a video in iMovie ’09.
- Adding Audio Track(s) to a Video in iMovie ’09 – How to add music, effect and voiceover soundtracks to a video in iMovie ’09.
- Sharing Your iMovie ’09 Masterpiece with Other People – A brief rant about how to export your iMovie ’09 project as a video file that other people can watch.
Who are you now?
0A couple days ago, iTunes roused itself out of its torpor and suddenly downloaded a podcast episode from Merlin Mann at 43 Folders, that he posted several months ago. Maybe iTunes knows more about my head than I do, because Merlin caught me right where I am right now, thinking about how we learn and how we do…
Take a minute (well, more like 45 minutes) and at least listen to the podcast, if you don’t actually watch the video. It’s worth it. It’s thought-provoking. And it addresses some real issues in professional development and in teaching and learning.
Merlin’s core idea, throughout, is that the situation of the knowledge worker is to be constantly figuring out not just how to do their job, but what role they’re taking on to do that job — “who am I today?” And he takes on the idea that we’re all advanced beginners, suggesting that, in fact, expertise is real and attainable and hard to quantify. And that the difference between an expert and a master is the ability to articulate your expertise to learners.
There are so many ways that this is both scary and inspirational from a teaching and learning perspective, both in the classroom and working with my colleagues on professional development. So many, in fact, that I’m going to need to come back to this in a few days to really unpack what I’m thinking.
But go watch the video.
This looks promising…
0The second semester started a few weeks ago here at the school where I teach. One of the real frustrations for me has been watching the enrollment in my second semester classes bottom out — conversations with students suggest that they are making this decision based largely on graduation requirements (they don’t need my courses to graduate). I had one particularly poignant conversation with a student this afternoon who asked, “why would someone sign up for the second semester? What do they get out of it? Are they just taking the class because they like it?”
In any event, sad though this is at a macro level, it has provided me with an opportunity to do what I enjoy most: build a project with my students. The few students remaining in my computer animation class and I are going to write, produce and animate a short film this spring. This is a project with more than a few steps, and no small amount of complexity. I’m keeping my fingers crossed that the students can do this, and I’m expecting to have to step in to pull my own weight in this project as well. And I’m kind of looking forward to that. (I’m certainly teaching this class because I like it!)
In doing this, I started to map out the steps of the project in a variety of different tools. I experimented with a bunch of online options (BaseCamp, 5pm, LiquidPlanner, Tom’s Planner) and have ended up with a tool that Adam Seldow introduced me to back when we were working on EdTags: dotProject. It’s a quirky little open source project planner, that has a fairly extensive collection of community-produced add-ons. It runs on a standard PHP/MySQL installation. It lets me map out milestones, tasks (with dependencies on other tasks), and have my students log their work (and progress) in the tool.
…and it generates Gantt charts of the project. Which turned out, to my surprise, to be a shockingly effective visualization for my students this afternoon. They haven’t exactly been coming out swinging — they’ve only been working on this project in class, while I’m there to crack the whip. But when they saw a) the complexity of the project and b) that their progress bars were behind where today’s date line was on the chart and c) that now our projected date of completion is two weeks after our last class. And they got religion.
As I worked with dotProject some more this afternoon, I’m beginning to think that the logging feature are going to provide me with some really spectacular qualitative data for assessing these students, as well as allowing them to visualize their progress in an immediate and understandable way. I’m totally excited about this: it’s authentic learning, with assessment, with intrinsic motivation! Woo hoo!
Let’s hope that this high lasts….
YOURLS Install Test
0In much the same manner that I have opted to do an end-run around the issue of changing email addresses by establishing my own, permanent email address that forwards to my current email provider of choice, I have just installed my own URL shortener. At least I know that my short URLs are at no one’s mercy but my own. Who knows? This could be a disaster. But I’m excited about it right now.
Credibility vs. Plagiarism
2This write-up is an articulation of an idea that I first stumbled across last spring, in conversation with my colleagues around technology and academic integrity. I am enormously grateful to Lynette Sumpter and Ned Sherrill for pushing me and supporting me and challenging me and engaging me in the discussion that led me to this idea.
Let me preface this by noting that I am not a history teacher. Or a writing instructor. Or a teacher of social studies or literature.
But, I have played one on TV. And I have spent the last few years faking it in various settings (for example, teaching Third Form Seminar at St. Grottlesex, a studies skills class thinly disguised as a history class — or my current role teaching Media Studies, which is on the cusp of becoming Mark Taylor and teaching “liberal arts” as a discipline unto itself).
Fear and Loathing in the Classroom
I have been struck by how we teach our students to take part in academic discourse. I fear that we are teaching them to be fearful, rather than confident, outspoken and — above all — well-spoken. When I work with ninth graders writing their “big research paper”, it is clear that they are already viewing the process with trepidation. Not because they are not looking forward to the work (in fact, they often become absorbed in their research and legitimately excited about their chosen topic). They are terrified that they will do something that causes me to nail them to the wall for plagiarism. They are absolutely terrified that they will screw up their citations, botch their bibliography, accidentally confuse a quotation with a paraphrase, or in some other way incur the wrath of the gods of academic integrity.
This is ridiculous. And they come to me this way, already scared.
Why Cite Sources At All?
Let’s take a step back from the panicking ninth graders.
Let’s consider how we live our lives, as adults, day to day. Consider, if you will, a conversation with your friends. Better still, a conversation with my friends (they’re loads of fun): we’re talking about something that we have to do that feels ironically poorly suited to our temperment and someone around the table mutters “Snakes. Why did it have to be snakes?” Yes, we’re pathetic tools of popular culture. But we’re also making a reference to a known source. A reference that everyone around the table recognizes and appreciates.
In fact, by making that reference, we’re using a short hand phrase to conjure up a whole idea. At the most crass level. We’re probably not going to swing into the pharaohs’ catacombs on our bullwhip, blazing torch in hand, Nazis on our tails. But we’ve connected our plight to Indy’s, in our friends’ minds. Usually, among my friends, this then generates snickers. I am not someone who would plausibly swing on the end of a bullwhip.
This, at its core, is the purpose of citing another author: to make use of that author’s ideas in support of your own. To reference a whole, complex argument, made elsewhere, by selecting a short, notable phrase that stands in for the more complex idea. When we refer to “trickle-down economics”, we’re using an opaque term to describe a whole theory of how the world works — whether or not we agree with it, this provides a shared reference point between us and our interlocutors. By providing this shared reference point, we are providing an anchor on which to build our own arguments, share our own ideas, develop our our creations — in a way that will be more easily understood. We don’t have to reinvent the wheel every time.
When we cite other sources and authors, we select sources that lend credibility to our own point of view, by dint of the the sources’ own credibility. Our arguments are stronger when we cite well-known and well-respected sources. Our arguments are stronger when we can clearly connect them to sources that are clearly well-founded, or are clearly connected to well-founded sources.
Thus, if we want our argument to have credibility, we want to connect our argument to other well-respected sources. We want to make those connections explicit, rather than making that argument in a vacuum. We want to accessorize our argument with the respect and credibility already carried by our sources.
So, What’s the Big Deal?
The big deal is that this isn’t how or why I was taught to cite my sources in academic papers. And it isn’t how I’ve seen students being taught to cite their sources. I have seen only fear and intimidation: “if you do not cite your sources, you will be penalized for plagiarism. If you are penalized for plagiarism, you won’t get into the college of your choice or you’ll be expelled from the college of your choice or you might become Vice-President of the United States.” <shiver> I don’t see anyone making positive arguments for academic citation when we are introducing it to our students. We only threaten the students with punishment.
I don’t know about you, but I tend not to really enjoy doing things that I’m doing out of fear. I often dig in my heels (I’m an ornery S.O.B.). I certainly don’t try and do what I’m doing better because I’ve been intimidated into doing it (in fact, I’ll probably passive aggressively do it worse). And it takes me a long time (20+ years) to find any real purpose or excitement in something that I have been bullied into doing. I understand the obligation to do it. I do it. But I cuss about it. And drag my feet.
Technology has Changed Citation
At the start of every school year, one or the other of my colleagues will forward around the ever-growing list of things that our new students won’t be familiar with (the original Star Wars, Indiana Jones movies that aren’t execrable, tape cassettes, a time before white earbuds, etc.). What bears more than a little examination are the things that our students are familiar with.
I have a whole digression about the issue of digital natives, and whether or not it’s even a defensible opinion, let alone a fact of life. Let us at least stipulate that our students have a different relationship with technology and media than we did growing up, and that that relationship is increasingly facilitated by technology.
How about a bizarre mash-up video that combines clips from television shows that are, at best, unfamiliar to us with music we think is terrible? How about a collage of corporate slogans standing in for a personal statement? What are these moron kids up to now? Isn’t this entirely beneath our dignity and station to even pay lip service to the activity that’s going on here? Well, this is the students having a conversation. Their conversations are moving out of “meat space” and online (note the rise of concern about cyberbullying and sexting — these aren’t new phenomena, they’re just moving from behind the gym to the digital realm).
In fact, on the creative front (moving away from a digression on online agression), these collages and mash-ups and massively uncited multimedia conglomerations are the same kinds of conversations that my friends and I have. Only we have them in person. Where I grew up with VHS and quoting movies endlessly, today’s students are able to literally quote movies. And music videos. And magazines. And web cites. And anything else that has floated across their consciousness in the form of bits. Even their teachers (and the first time I was an unwitting component of a student video mash-up was over a decade ago).
These videos, which are clearly violations of copyright law, intellectual property treaties and, often, good taste are just our students engaged in conversation. Online and digitally.
Transitioning from Conversation to Academic Discourse
Understanding that what we see as recreational plagiarism and piracy is, in fact, informal discourse is the first step towards connecting the dots with our students. What we need to help our students do — what our role as teachers is — is to engage in code-switching: when is it appropriate to have an informal conversation? When do you start to cite your sources? What are you doing — for yourself and your sources — by citing them? What standards can we use to cite sources? When do those standards apply?
Overall: what’s the point of this exercise? Are we doing it because we’re afraid that somebody will use Google to find out that a dozen other people have had this same idea, and we want to get there first? Or are we doing it because we’ve read something powerful, insightful, revelatory… and we want to share the impact of that source with our own audience? Are we sharing our sources because if we don’t someone will accuse us of falsifying our research, or because we have come across a marvelous, well-researched data set that, with our analysis, screams in support of our conclusions? Are we citing the work of others out of a grudging sense of obligation to them for work already done, or because making reference to other works makes our own easier: we are bringing worlds of ideas into our effort through the careful selection of a word or phrase?
In the past two years, this is what I have started to try to do with my students: rather than threatening them, engage them in that part of the world of research and ideas that I find so invigorating and exciting. Rather than whaling on them for botching a quotation, explain to them why getting their quotations and citations right (for their context) is meaningful.
For the first time, last week, when I was grinding away on my students to include links in their blog entries, and I asked why, one of my students said:
“Because you might want to read them too?”
